Wednesday, 15 October 2008
Tuesday, 14 October 2008
BRIEF:3 minutes/ONLAB A1 POSTER
ONLAB
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
onlab is working on commissioned, collaborative as well as self initiated design projects and is a co-founder of etc publications, a platform for independent publishing based in Berlin. The different identities and platforms enable to find various approaches and systems in developing solution-oriented and structured method of working as well as looking at cultural differences and similarities subjectively.
onlab explore the ways to stage complex contents to convey relevant topics and, in doing so, accompanying changes in perceptions.
onlab state his position by linking the contents and aesthetics of the productions with elements of topicality. The essence of a task and of a project is always the guide to solving it, unfolding an emotional and accessible dimension. Only then can a committed project explore fact or fiction.
"""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
2006
published by Nicolas Bourquin, Sven Ehmann, Piet Truhlar
art direction and graphic design: Nicolas Bourquin, Angela Häberli
1 spread (poster), 60x84 cm, german/english text
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
etc publications Berlin launches A1 - An art poster edition dedicated to upcoming artists. The first issue of A1 presents "Seidenstück I" a poetic sculptural work by German artist Jens Risch. One side of the poster contains an image of the piece while the other side offers an essay by curator Florian Waldvogel, an interview with Jens Risch and further information around the knotted "Seidenstück".
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
NOTES
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
-Container: could my poster be contained within a plastic wallet? what effect could this have on the design? could this add another layer to the design?
-One side type one side image/poster. Could my piece be double sided?
-one side full colour image, one side black and white type.
-Could the poster be a photograph? Photographic type? Photographic 3?
////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
NOTES
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
-could it fold into a leaflet?
-Could the information slowly unfold?
-Is the folding ive used the best form the project?
-Two colour spot? grey scale?
-What paper substrates? how do these affect folding?
-IS there any other copy i can use?
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
onlab is working on commissioned, collaborative as well as self initiated design projects and is a co-founder of etc publications, a platform for independent publishing based in Berlin. The different identities and platforms enable to find various approaches and systems in developing solution-oriented and structured method of working as well as looking at cultural differences and similarities subjectively.
onlab explore the ways to stage complex contents to convey relevant topics and, in doing so, accompanying changes in perceptions.
onlab state his position by linking the contents and aesthetics of the productions with elements of topicality. The essence of a task and of a project is always the guide to solving it, unfolding an emotional and accessible dimension. Only then can a committed project explore fact or fiction.
"""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
2006
published by Nicolas Bourquin, Sven Ehmann, Piet Truhlar
art direction and graphic design: Nicolas Bourquin, Angela Häberli
1 spread (poster), 60x84 cm, german/english text
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
etc publications Berlin launches A1 - An art poster edition dedicated to upcoming artists. The first issue of A1 presents "Seidenstück I" a poetic sculptural work by German artist Jens Risch. One side of the poster contains an image of the piece while the other side offers an essay by curator Florian Waldvogel, an interview with Jens Risch and further information around the knotted "Seidenstück".
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
NOTES
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
-Container: could my poster be contained within a plastic wallet? what effect could this have on the design? could this add another layer to the design?
-One side type one side image/poster. Could my piece be double sided?
-one side full colour image, one side black and white type.
-Could the poster be a photograph? Photographic type? Photographic 3?
////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
NOTES
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
-could it fold into a leaflet?
-Could the information slowly unfold?
-Is the folding ive used the best form the project?
-Two colour spot? grey scale?
-What paper substrates? how do these affect folding?
-IS there any other copy i can use?
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
BRIEFS::::::
BRIEFS CHOSEN:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Does the environment create typography or typography create the environment?
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Explore your environment and discover the type that is lurking – often unobserved – or there for all to see. Seek out typographic forms or structures that create typographic compositions either in their own right as a single object or as an intersection of elements creating a juxtaposition
of typography.
Take these observations, interpret them in your typographic exploration and create a bespoke design piece based on your discovery. This should not only be limited to the Roman alphabet, each different geographic location and typographic
designer in different language regions should be able to distinguish unique typographic arrangements relative to their language and
environment.
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
THE BRIEF
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Your aim is to create a typographic information piece(s) based on your observations and research. The format could be a publication, book, poster (or a combination of these) or a screen-based piece – website, DVD or animation
from your chosen local area and language to demonstrate typographically your observations
and interpretations.
Going back to the title of this project, your typographic piece could be expressed three dimensionally – taking your typography back out into the public environment. Sculptural form, light and shadow and the perception
of three dimensional forms could be used
to advantage to create an interpretative
experience. Capture this expression and
people’s interaction with your composition through photography or video etc to be
included as part of your submission.
Your typographic layouts need to show creative and innovative use of type to express your discovery. Of course, sensitive use of typography,
with legibility, hierarchy of information, typographic experimentation and a coherent approach to layout should be integral to your visual presentation of this brief.
The graphic execution must also reflect your consideration of production opportunities and techniques. If choosing print-based media, how should it be printed? What alternative substrates or materials could be used that may present interesting opportunities that support your typography and layout? Layering, trans-lucency, tactile form expression could be used, to name a few, for print-based executions.
A screen-based approach could develop an interactive piece or animated sequence. Be innovative and explore the medium. Intelligent use of editing, sound, motion, image interaction and overlay etc. offer great opportunity for a typographic-based expression.
Whatever approach you adopt it must visually intrigue and stimulate the observer.
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
TARGET MARKET
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Designers, architects and students engaged in design and lovers of typography.
/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
THREE MINUTES
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Two years ago we published a project titled 33.
It offered an opportunity for the broadest interpretation
of this value. The responses ranged,
in subject, from the full catalogue of cabinets (A–D) in the south-east corner of the St Bride Library Reading Room, the typography of a car, through to a study of a Sheffield public toilet (male) with a bonus 30 minute soundtrack of the toilets in use (interesting sensory experience).
The opportunities are similar with this very ‘open’ brief which, we hope, will foster a wide range of interpretations – What has happened? What can happen? What would you like to happen? Your shortest/longest kiss? How long you can hold your breath? The time it takes to get ready in the morning? The time it takes you to run 100 metres . . .
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
THE BRIEF
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
This is a brief for innovative thinking and one which can be fun. Our only proviso is that you do not select the lyrics of a song as that theme
is used in Project 02.
Your only production parameter (for print submissions) is the use of a single A1 sheet. How you use the sheet is your choice. There
are no limits on colours, material/stock, printing methods and binding/finishing methods.
It could be a single broadsheet or could be used to develop a multi-sheet format.
Consider use of litho/screen print/folding/creasing/piercing/embossing/foil blocking/binding. You must also include a proposal for some method of packaging/mailing.
Alternatively, you may treat this through an interactive piece or an animated sequence. Either way, make it informative, eye-catching, fascinating, compelling – and suitable for the market.
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
TARGET MARKET
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Identify your ideal employer/client, on graduation, and impress them.
/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Does the environment create typography or typography create the environment?
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Explore your environment and discover the type that is lurking – often unobserved – or there for all to see. Seek out typographic forms or structures that create typographic compositions either in their own right as a single object or as an intersection of elements creating a juxtaposition
of typography.
Take these observations, interpret them in your typographic exploration and create a bespoke design piece based on your discovery. This should not only be limited to the Roman alphabet, each different geographic location and typographic
designer in different language regions should be able to distinguish unique typographic arrangements relative to their language and
environment.
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
THE BRIEF
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Your aim is to create a typographic information piece(s) based on your observations and research. The format could be a publication, book, poster (or a combination of these) or a screen-based piece – website, DVD or animation
from your chosen local area and language to demonstrate typographically your observations
and interpretations.
Going back to the title of this project, your typographic piece could be expressed three dimensionally – taking your typography back out into the public environment. Sculptural form, light and shadow and the perception
of three dimensional forms could be used
to advantage to create an interpretative
experience. Capture this expression and
people’s interaction with your composition through photography or video etc to be
included as part of your submission.
Your typographic layouts need to show creative and innovative use of type to express your discovery. Of course, sensitive use of typography,
with legibility, hierarchy of information, typographic experimentation and a coherent approach to layout should be integral to your visual presentation of this brief.
The graphic execution must also reflect your consideration of production opportunities and techniques. If choosing print-based media, how should it be printed? What alternative substrates or materials could be used that may present interesting opportunities that support your typography and layout? Layering, trans-lucency, tactile form expression could be used, to name a few, for print-based executions.
A screen-based approach could develop an interactive piece or animated sequence. Be innovative and explore the medium. Intelligent use of editing, sound, motion, image interaction and overlay etc. offer great opportunity for a typographic-based expression.
Whatever approach you adopt it must visually intrigue and stimulate the observer.
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
TARGET MARKET
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Designers, architects and students engaged in design and lovers of typography.
/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
THREE MINUTES
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Two years ago we published a project titled 33.
It offered an opportunity for the broadest interpretation
of this value. The responses ranged,
in subject, from the full catalogue of cabinets (A–D) in the south-east corner of the St Bride Library Reading Room, the typography of a car, through to a study of a Sheffield public toilet (male) with a bonus 30 minute soundtrack of the toilets in use (interesting sensory experience).
The opportunities are similar with this very ‘open’ brief which, we hope, will foster a wide range of interpretations – What has happened? What can happen? What would you like to happen? Your shortest/longest kiss? How long you can hold your breath? The time it takes to get ready in the morning? The time it takes you to run 100 metres . . .
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
THE BRIEF
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
This is a brief for innovative thinking and one which can be fun. Our only proviso is that you do not select the lyrics of a song as that theme
is used in Project 02.
Your only production parameter (for print submissions) is the use of a single A1 sheet. How you use the sheet is your choice. There
are no limits on colours, material/stock, printing methods and binding/finishing methods.
It could be a single broadsheet or could be used to develop a multi-sheet format.
Consider use of litho/screen print/folding/creasing/piercing/embossing/foil blocking/binding. You must also include a proposal for some method of packaging/mailing.
Alternatively, you may treat this through an interactive piece or an animated sequence. Either way, make it informative, eye-catching, fascinating, compelling – and suitable for the market.
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
TARGET MARKET
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
Identify your ideal employer/client, on graduation, and impress them.
/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
Saturday, 11 October 2008
type/environment
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
ENVIRONMENTS::::::::::::::::::::::::::::::::::::::::::::::::::::::::
______-HAIRDRESSER_-Craig Ward
______-TOILET_-toilet paper face
______-BEACH_ -human face
______-BEACH_ -stone typeface
______-ROADS_-back of trucks
______-SUPERMARKET_-packed meat face
______-NIGHT - light face
______-TAXI - found in taxi cab
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
::::::::::filtered from blog 1:::::::::::::
-has relevance to brief type/environment brief/
-find more like it
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
::::::::::::::::craig ward::::::::::::::::::::::::::
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
::::::::::::linked though to; http://reubenmiller.typepad.com/my_weblog/2008/09/21-unexpected-a.html#more:::::::::::::::::::::::::
>>>>>>22 of the worlds most creative alphabets>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
..........................................
::::::::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::Assembly required by Jamie Hearn. via Design Boom:::::::::::::::::
::::::::::::::::::::::Human alphabet by Kalle Mattsson. via David Airey. :::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Beard alphabet by Tim Yarzhombek. :::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Cubic alphabet by Svetoslav Simov.::::::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Fingers alphabet by Michelle Romo. via Neatorama, Quipsologies.:::::
::::::::::::::::::::::::::::::::::::Found alphabet by Abba Richman::::::::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Found alphabet by Jen Quinn.:::::::::::::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Found alphabet by Jonas Mouritsen .::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Handwritten by Björn Johansson.::::::::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Pebble alphabet by Clotilde Olyff.:::::::::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Rubber band alphabet by Nicolas Queffelec.::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::::Truck rear alphabet by Eric Tabuchi. via cultura.creativa::::::::::::::::
::::::::::::::::::::::::::::::::::::Found signs alphabet by Jen Quinn. ::::::::::::::::::::::::::::::::::::::::::::
:::::::::::::::::::::::::::::::::::::::::::Photogram alphabet by Dutch Osborne. via Cookiemag.com (A photogram is the photographic technique of caputuring the shadow of an object on camera.)::::::::::::::::
:::::::::::::::::::::::::::::::::::::Light graffiti alphabet (artist unknown). via David Airey, Spinning Around::::::::::::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Light writing alphabet by Nir Tober. via David Airey.::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Sign language matchbook alphabet. Pretty unconventional, huh? By Jonathan Keller. via David Airey.:::::::::::::::::::::::::::::::::::::::::::::::::::
:::::::::::::::::::::::::::::::::::::Meat alphabet by Robert Bolesta. via Geekadelphia:::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Office clip shadow alphabet by Dave Wood. via Johnson Banks blog.:::
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
like this though::::::::::::::
:::::::::::::::::::::::::::::::typeface form derived from environment"taxi cab"::::::::
ENVIRONMENTS::::::::::::::::::::::::::::::::::::::::::::::::::::::::
______-HAIRDRESSER_-Craig Ward
______-TOILET_-toilet paper face
______-BEACH_ -human face
______-BEACH_ -stone typeface
______-ROADS_-back of trucks
______-SUPERMARKET_-packed meat face
______-NIGHT - light face
______-TAXI - found in taxi cab
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
::::::::::filtered from blog 1:::::::::::::
-has relevance to brief type/environment brief/
-find more like it
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
::::::::::::::::craig ward::::::::::::::::::::::::::
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
::::::::::::linked though to; http://reubenmiller.typepad.com/my_weblog/2008/09/21-unexpected-a.html#more:::::::::::::::::::::::::
>>>>>>22 of the worlds most creative alphabets>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
..........................................
::::::::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::Assembly required by Jamie Hearn. via Design Boom:::::::::::::::::
::::::::::::::::::::::Human alphabet by Kalle Mattsson. via David Airey. :::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Beard alphabet by Tim Yarzhombek. :::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Cubic alphabet by Svetoslav Simov.::::::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Fingers alphabet by Michelle Romo. via Neatorama, Quipsologies.:::::
::::::::::::::::::::::::::::::::::::Found alphabet by Abba Richman::::::::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Found alphabet by Jen Quinn.:::::::::::::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Found alphabet by Jonas Mouritsen .::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Handwritten by Björn Johansson.::::::::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Pebble alphabet by Clotilde Olyff.:::::::::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Rubber band alphabet by Nicolas Queffelec.::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::::Truck rear alphabet by Eric Tabuchi. via cultura.creativa::::::::::::::::
::::::::::::::::::::::::::::::::::::Found signs alphabet by Jen Quinn. ::::::::::::::::::::::::::::::::::::::::::::
:::::::::::::::::::::::::::::::::::::::::::Photogram alphabet by Dutch Osborne. via Cookiemag.com (A photogram is the photographic technique of caputuring the shadow of an object on camera.)::::::::::::::::
:::::::::::::::::::::::::::::::::::::Light graffiti alphabet (artist unknown). via David Airey, Spinning Around::::::::::::::::::::::::::::::::::::::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Light writing alphabet by Nir Tober. via David Airey.::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Sign language matchbook alphabet. Pretty unconventional, huh? By Jonathan Keller. via David Airey.:::::::::::::::::::::::::::::::::::::::::::::::::::
:::::::::::::::::::::::::::::::::::::Meat alphabet by Robert Bolesta. via Geekadelphia:::::::::::::::::::::
::::::::::::::::::::::::::::::::::::Office clip shadow alphabet by Dave Wood. via Johnson Banks blog.:::
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
like this though::::::::::::::
:::::::::::::::::::::::::::::::typeface form derived from environment"taxi cab"::::::::
Thursday, 9 October 2008
evaluation
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
c:////LIST/////
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
::::::::::::://I DONT WANT TO...//
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
:-design annual reviews
:-design brochures for the local council
:-be a logo designer
:-design body copy typefaces
:-be a copywriter
:-spend my life researching
:-be stressed out anymore
:-design wedding brochures
:-be stuck in front of a computer
:-design magazine layouts for magazines that i wouldnt read
:-live in england my whole life
:-be poor any more
:-design newspaper adverts
:-ever have to do an advert for an insurance company
:-write my dissertation
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
::::::::::::://I WOULD LIKE TO...//
:-write more lists
:-be more organized
:-manage my time more effectively
:-use my diary everyday
:-experiment with typography
:-design some cd covers
:-design some tshirts
:-know exactly what i want to do
:-have fun with graphic design
:-be happy
:-be stressfree
:-work hard
:-succeed
:-make some screenprinted tshirts
:-win the lottery
:-make some screenprinted posters
:-design a poster for a theatre
:-make contact with the industry
:-complete my own personal projects
:-see if america is like it is in the movies
:-design some typefaces
:-do a music video
:-draw on some shoes
:-read more books
:-listen to more music
:-use photography in my work more
:-work with daniel eatock
:-work with stefan sagmeister
:-start more collections
:-do some work for channel 4
:-design some vinyl stickers
:-design a front cover for a design magazine
:-win a competition
:-design more dont panic posters
:-move to london after this year
:-blog more
:-get 12 months worth of grafik magazine and count the number of times the words aesthetic, concept, idea
:-make a pie chart out of pie
:-experiment with the integration of type and image
:-screenprint and image of a computer screen
:-spend more time on the craft of my ideas
:-think vertically as well as laterally
:-be my own boss in 5 years
:-stop thinking, stop talking, start doing
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
c:////LIST/////
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
::::::::::::://I DONT WANT TO...//
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
:-design annual reviews
:-design brochures for the local council
:-be a logo designer
:-design body copy typefaces
:-be a copywriter
:-spend my life researching
:-be stressed out anymore
:-design wedding brochures
:-be stuck in front of a computer
:-design magazine layouts for magazines that i wouldnt read
:-live in england my whole life
:-be poor any more
:-design newspaper adverts
:-ever have to do an advert for an insurance company
:-write my dissertation
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
::::::::::::://I WOULD LIKE TO...//
:-write more lists
:-be more organized
:-manage my time more effectively
:-use my diary everyday
:-experiment with typography
:-design some cd covers
:-design some tshirts
:-know exactly what i want to do
:-have fun with graphic design
:-be happy
:-be stressfree
:-work hard
:-succeed
:-make some screenprinted tshirts
:-win the lottery
:-make some screenprinted posters
:-design a poster for a theatre
:-make contact with the industry
:-complete my own personal projects
:-see if america is like it is in the movies
:-design some typefaces
:-do a music video
:-draw on some shoes
:-read more books
:-listen to more music
:-use photography in my work more
:-work with daniel eatock
:-work with stefan sagmeister
:-start more collections
:-do some work for channel 4
:-design some vinyl stickers
:-design a front cover for a design magazine
:-win a competition
:-design more dont panic posters
:-move to london after this year
:-blog more
:-get 12 months worth of grafik magazine and count the number of times the words aesthetic, concept, idea
:-make a pie chart out of pie
:-experiment with the integration of type and image
:-screenprint and image of a computer screen
:-spend more time on the craft of my ideas
:-think vertically as well as laterally
:-be my own boss in 5 years
:-stop thinking, stop talking, start doing
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